Pandit Bhimsen Joshi Background information Native name ಭೀಮಸೇನ ಜೋಷಿ Born ( 1922-02-04)4 February 1922, of Died 24 January 2011 ( 2011-01-24) (aged 88),, Genres Occupation(s) Hindustani Classical, Bhajans (Kannada, Marathi and Hindi) Years active 1941–2000 Labels Bharat Ratna Pd Dr BHIMSEN JOSHI MEMORIAL TRUST COMMITTE RON (Regd) Website www.bhimsenjoshiron.com Signature of Pt. Bhimsen Joshi Bharat Ratna Pandit Bhimsen Gururaj Joshi ( (); 4 February 1922 – 24 January 2011) was an Indian vocalist from in the tradition. He is known for the form of singing, as well as for his popular renditions of devotional music ( and ).

In 1998, he was awarded the, the highest honour conferred by, India's National Academy for Music, Dance and Drama. Subsequently, he received the, 's highest civilian honour, in 2009. Contents • • • • • • • • • • • • • • • • • • Early life [ ] Pt. Bhimsen Gururaj Joshi was born in a family in a town called, in the district of present day state on 4 February 1922 to Gururaj Joshi (who had authored a Kannada-English dictionary) and Godavaribai, a home-maker. [ ] Bhimsen was the eldest among 16 siblings.

He lost his mother at a young age and was raised by his stepmother. [ ] As a child, Bhimsen was fascinated with music and musical instruments like the and and would often follow processions accompanied by music bands. This exercise often tired him and he would curl up somewhere and sleep, forcing his parents to go to the police after efforts to trace him failed. Fed up, his father Gururajacharya Joshi came up with the solution, writing ' ಜೋಷಿ ಮಾಸ್ತರರ ಮಗ ' (son of teacher Joshi) on Bhimsen's shirts. This worked and those who found the boy sleeping would safely deposit him back to his house.

Musical training [ ] His first music teacher was Agasara Channappa of Kurtakoti, who had trained with the veteran singer Inayat Khan. After learning Ragas and. The one and only unique vigorous style of rendering he developed along with advanced trainings by other teachers is attributed to the basic training he received from Channappa. Bhimsen Joshi next went to Pandit Shyamacharya Joshi, who hailed from and was a priest and classical singer. Pandit Shyamacharya taught him to sing as well as play the harmonium. Shree Shamacharya Joshi was a descendant of Great Shree Mahipati Dasaru. As revealed by Shree Shamacharya Joshi himself when he was alive, it was a turning point in Bhimsen Joshi's life that Shree Shyamacharya Joshi went to Bombay for recording his songs by HMV where Shree Bhimsen Joshi also accompanied him and due to ill health Shree Shyamacharya Joshi returned to Bagalkot after recording few songs and asked Shree Bhimsen Joshi to render rest of the songs which Shree Bhimsen Joshi did and this proved to be a major breakthrough for Shree Bhimsen Joshi in the initial stage of his career.

Search for a guru [ ] Joshi heard a recording of 's 'Piya Bin Nahi Aavat Chain' in Raga when he was a child, which inspired him to become a musician. During this time, he also heard Pandit at a performance in Kundgol.

In 1933, the 11-year-old Joshi left for to find a master and learn music. With the help of money lent by his co-passengers in the train, Bhimsen reached first and later went to.

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Later he moved to and got into Madhava Music School, a school run by Maharajas of Gwalior, with the help of famous player. He travelled for three years around North India, including in,,, and, trying to find a good guru. Eventually, his father succeeded in tracking him down in and brought young Bhimsen back home. Sawai Gandharva [ ] In 1936,, a native of, agreed to be his guru. Joshi stayed at his house in the guru-shishya (teacher-student) tradition.

Joshi continued his training with Sawai Gandharva Career [ ] Joshi first performed live in 1941 at the age 19. His debut album, containing a few in and, was released by the next year in 1942.

Later Joshi moved to in 1943 and worked as a radio artist. His performance at a concert in 1946 to celebrate his guru Sawai Gandharva's 60th birthday won him accolades both from the audience and his guru. Hindustani classical music [ ] Joshi's performances have been acknowledged by music critics such as S. Chandrashekhar of the to be marked by spontaneity, accurate notes, dizzyingly-paced which make use of his exceptional voice training, and a mastery over rhythm. The Hindu, in an article written after he was awarded the Bharat Ratna, said: Bhimsen Joshi was ever the wanderer, engendering brilliant phrases and tans more intuitively than through deliberation.

Joshi occasionally employed the use of sargam and tihaais, and often sang traditional compositions of the Kirana gharana. His music often injected surprising and sudden turns of phrase, for example through the unexpected use of boltaans. Over the years, his repertoire tended to favour a relatively small number of complex and serious ragas; however, he remained one of the most prolific exponents of Hindustani classical music. Some of Joshi's more popular include Shuddha Kalyan, Miyan Ki Todi, Puriya Dhanashri,,,, and. He was a purist who has not dabbled in experimental forms of music, except for a series of Jugalbandi recordings with the Carnatic singer. Joshi's singing has been influenced by many musicians, including, and.

Joshi assimilated into his own singing various elements that he liked in different musical styles and. Devotional music [ ] In devotional music, Joshi was most acclaimed for his, and singing. He has recorded songs in Marathi, Santavani and Kannada, Dasavani. Patriotic music [ ] Pt. Bhimsen Joshi was widely recognised in India due to his performance in the music video (1988), which begins with him.

The video was created for the purpose of national integration in India, and highlights the diversity of Indian culture. Bhimsen Joshi was also a part of produced by on the occasion of 50th year of Indian Republic. Playback singing [ ] Joshi sang for several films, including (1956) with, in Marathi movie 'Swayamvar zale Siteche' (1964) for famous song 'Ramya Hi Swargahun lanka', in Kannada movie (1966) where he has sung extensively.

It includes a song 'e pariya sobagu' rendered in both Hindustani and Carnatic (Karnataka shastriya sangeetha) styles along with, Birbal My Brother (1973) with. He also sang for the Bengali film Tansen (1958) and Bollywood Movie (1985) where latter fetched him. His song 'Bhagyadalakshmi baaramma', a composition, was used by and in the Kannada film Nodi Swami Naavu Irodhu Heege. He also sang as a playback singer for the Marathi film Gulacha Ganapati, produced and directed by Sawai Gandharva Music Festival [ ] Joshi along with his friend Vasantrao Deshpande organised the as an homage to his guru, Sawai Gandharva, along with the in 1953, marking Gandharva's first death anniversary.

The festival has been held ever since, typically on the second weekend of December in, Maharashtra and has become not only a cultural event for the city, but an annual pilgrimage for lovers all over the world. Joshi conducted the festival annually since 1953, until his retirement in 2002. Awe Setup In Peoplesoft What Is The Domainconnectionpwd. Legacy [ ] A classicist by training, and temperament, Bhimsen Joshi was renowned for having evolved an approach that sought to achieve a balance between what may be termed as 'traditional values and mass-culture tastes' and as such he went on to have supposedly the largest commercially recorded repertoire in Hindustani vocal music. Joshi's iconic status in the music world has earned him a whole generation of suni shagirds who by merely listening to him have picked up his style and not through any formal tutelage. His greatest endeavour in perpetuating his legacy could be the Sawai Gandharva Festival held at Pune annually since the year 1953 which seeks to promote a certain music culture.

Madhav Gudi, Narayan Deshpande, Shrikant Deshpande, and others are some of his more well-known disciples. Personal life [ ] Bhimsen married twice. His first wife was Sunanda Katti, the daughter of his maternal uncle, whom he married in 1944. He had four children from Sunanda; Raghavendra, Usha, Sumangala, and Anand. In 1951, he married Vatsala Mudholkar, his co-actor in the Kannada play Bhagya-Shree.

Bigamous marriages among Hindus were prohibited by law in the Bombay Presidency; so he took up residency in Nagpur (capital of Central Province and Berar in 1951) where bigamy was allowed and married there for the second time. He did not divorce or separate from Sunanda. With Vatsala, he had three children; Jayant, Shubhada, and. Initially, both his wives and families lived together, but when this did not work out, his first wife moved out with the family to live in a rented house in Limayewadi in, Pune, where Bhimsen continued to visit them. Discography [ ] Album Year Type Pt. Bhimsen Joshi (Miyan Malhar + Puriya Kalyan) 1960 LP Raga Lalit / Raga Shudh-Kalyan 1961 LP Pt.

Bhimsen Joshi Sings Raga Malkauns / Marubihag 1962 LP Miya Ki Todi / Puriya Dhanashri / M. Gara Thumri 1963 LP Ragas Yaman-Kalyan, Multani 1967 LP Chhaya / Chhaya-Malhar / Darbari / Suha-Kanada 1968 LP Raga Komal Rishabh Asawari/ Raga Marwa 1968 LP Raga Lalit-Bhatiyar / Raga Kalashree 1971 LP Raga Pooriya / Raga Durga 1973 LP Raga Brindavani Sarang / Raga Gaud Sarang 1973 LP Enchanting Melodies (6 melodies from 45 rpm releases) 1974 LP Raga Soor Malhar / Raga Shuddha Kedar 1980s LP Illness and death [ ] Joshi was admitted to Sahyadri Super Speciality Hospital on 31 December 2010 with and.

Due to difficulty in breathing, he was put on ventilator support. He suffered convulsions and was put on dialysis too during his stay in hospital. Though he recovered briefly for three days when he was taken off the ventilator, his condition deteriorated thereafter. He died on 24 January 2011. He was cremated at Vaikunth Crematorium in Pune with full state honours.

Awards and recognitions [ ] • 1972 – • 1976 – • 1985 – • 1985 – • 1986 – 'First platinum disc' • 1999 – • 2000 – 'Aditya Vikram Birla Kalashikhar Puraskar' • 2002 – • 2003 – 'Swathi Sangeetha Puraskaram' by • 2005 - by • 2008 – • 2008 – 'Swami Haridas Award' • 2009 – 'Lifetime achievement award' by • 2010 – 'S V Narayanaswamy Rao National Award' by Rama Seva Mandali, References [ ]. Official website. Archived from on 4 March 2016. From the original on 14 February 2009. Retrieved 21 February 2009. THE NEWS MINUTE.

Archived from on 10 May 2012. • Fox, Margalit (5 February 2011).. The New York Times. • Nadkarni, Mohan (1994).. Indus Publishing..

Hindi Lyrics. Retrieved 28 February 2014. • Pattanashetti, Girish (25 January 2011)..

Chennai, India. Retrieved 28 February 2014. Deccan Herald. 5 November 2008. Archived from on 11 May 2011. Retrieved 5 November 2008.

Mumbai Mirror. 6 November 2008. Archived from on 27 March 2009. Retrieved 18 November 2008. • Chatterji, Shoma A.

(7 December 2008).. The Sunday Tribune. Retrieved 25 January 2011. Deccan Herald. Chennai, India. 7 November 2008.

24 January 2011. Retrieved 24 January 2011.

24 January 2011. Retrieved 17 June 2015. • Jamkhandi, Gururaj (11 November 2013).. The Times of India. Retrieved 28 February 2014. The Times of India. 24 January 2011.

Retrieved 24 January 2011. 25 January 2011. Archived from on 13 July 2012. Retrieved 25 January 2011. 5 November 2008. Retrieved 24 January 2011. • • 3 August 2009 at the.

Chennai, India. 2 December 2003. • 28 July 2011 at the. • Further reading [ ] • Nadkarni, Mohan (1983). Bhimsen Joshi: the man and his music. Prism Communications. • Nadkarni, Mohan (1994).

Bhimsen Joshi: a biography. Indus, New Delhi..

• Majumdar, Abhik (2004). Bhimsen Joshi: A Passion for Music.

Bhimsen Joshi, a biography by Dr Sadanand Kanavalli in Kannada External links [ ] Wikimedia Commons has media related to. • (1962) • D. Annaswami Bhagavathar (1962) • (1962) • (1962) • Swami Prajnanananda (1963) • (1963) • (1963) • Mama Warerkar (1963) • T. Venkatarama Aiyar (1964) • C. Saraswathi Bai (1964) • Birendra Kishore Roy Choudhury (1964) • (1964) • (1964) • (1964) • (1965) • Ganesh Hari Ranade (1965) • (1965) • (1965) • D. Vyas (1965) • (1966) • (1966) • (1966) • (1966) • (1967) • (1967) • (1967) • (1967) • (1967) • (1967) • (1967) • (1967) • Kali Charan Patnaik (1968) • K.

Brahaspati (1970) • (1970) • Dilip Chandra Vedi (1970) • (1972) • (1972) • (1972) • (1973) • (1974) • (1974) • (1974) • (1975) • (1975) • Rasiklal Chhotalal Parikh (1975) • (1975) • Embar S. Vijayaraghavachariar (1975) • (1976) • (1976) • Hirjibhai Rustomji Doctor (1977) • Tinuvengadu Subramania Pillai (1978) • (1978) • (1979) • D. Joshi (1979) • (1979) • T. Kuppiah Pillai (1979) • (1980) 1981–2000.

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