The VSM is an intuitive but highly powerful Virtual String Machine which captures many of the sounds from this genre of instrument, containing a wealth of sounds from a small mountain of classic and rare string machines. These range from the first commercial string ensembles (Eminent 310 & Freeman String Symphonizer). Jun 19, 2017. If left blank, the tool will run either on localhost, or, the default machine (which you can configure). If specified. This command takes the generated SSH key from the local machine, connects to the remote host via SSH, and then uses cat to append the key file to the remote users authorized key list.

UpdateStar is compatible with Windows platforms. UpdateStar has been tested to meet all of the technical requirements to be compatible with Windows 10, 8.1, Windows 8, Windows 7, Windows Vista, Windows Server 2003, 2008, and Windows XP, 32 bit and 64 bit editions. Simply double-click the downloaded file to install it. UpdateStar Free and UpdateStar Premium come with the same installer. UpdateStar includes such as English, German, French, Italian, Hungarian, Russian and.

You can choose your language settings from within the program.

I'm sure that less than a few days ago you informed us you weren't buying any more gear, oh the lure of the Good in ya for giving in Good spotting! I know I did say so, but there is a very good reason for getting the Sub 37 afterall. It is highly probable that Moog announces at NAMM that the Tribute edition will be discontinued and replaced with a stage version. I wanted to make sure I get the one with the nice wood. Also, Moog has had plenty of time now to iron out possible manufacturing problems, as has been noticed by the change of cutoff pot.

Btw, I am going to sell my Pro-2 to make room for the Moog. Although I am a little bit unstable at times, when it comes to gear, luckily I have not totally lost it yet. Hi guys, I had the chance to test the Sub37 during the past two weeks. There is no doubt that this is a nearly perfect instrument, but maybe not for everyone.

Here is what I have noticed: 1) Some of the knobs dont have the same resistance and can be rotaded much more easily than others (in my case EnvAm for example). Preset button 16 is a little loose but works fine. 2) This machine is pretty loud. You have to be very careful on the volume knob. Between 2 and 3 it gets too loud very easily.

3) The envelopes seem to be very fast and the sound tends to be snappy. 4) I prefer the feedback over the multidrive.

To me it makes the sound a little more vintage. 5) On my slim phatty I can live without a subosc and feedback and dont use the overdrive most of the time. On the Sub37 I make much use of it otherwise I find the sound too boring somehow.

I still prefer the sound of the Slim/Little Phatty but do like the Sub37 as well. I now understand that its worth having both: The Sub37 is the more agressive machine, the Slim/Little Phatty is more vintage to my ears and therefore preferred.

As far as I am concerned I am thinking of choosing the SubPhatty instead (for the different sound) to save some money. I wonder what you think of that and if you have noticed these points, too. But please keep in mind that I am still a beginner. The synth arrived! Just unboxed the beast and let it warm up for a few hours before switching it on (quite cold at the moment).

The serial is above 10100, it has a metal cutoff potentiometer that feels rock solid. Comparing to the Sub 37 that I received in February 2015, this unit feels very different, and I mean all the pots, not just the cutoff pot. All pots are firm, no wobblyness at all!

In my first unit with serial around ~3200, all pots were wobbly (noticeable sideways movement + squirting sound from the grease inside pot) + the cutoff pot was really loose, about +/- 1.5 mm movement. The pots in the new unit feel like they are a totally different model.

They are firm and as good as in my other gear, for example Dominion 1, DSI stuff etc. Either the unit that I originally received in February was an ex demo unit used by people who twist the knobs with only 1 finger from 1 side like Nick Batt, or there was a bad batch or different type of pots used.

Later today, I will fire the Moog up and test the functionality, but regarding the build quality, this one seems to be proper. Considering how I treat my synths, this will last a long time. No need to use force with synths, only against imperium. Testing the Sub 37 finally now after warm up to room temperature, everything seems to be working. I am so happy that I re-bought this thing.

I am totally satisfied with this particular unit. This synth has great value and a must buy, if you are into synthesis. No wonder why it has sold more than 10k already. Thank you Moog! I bet their next thing is poly, because it is really difficult for them to build a mono that could be any better than the Sub 37 already is.

Moog really stepped into a new territory with the Sub 37, especially considering the style and feature set. Maybe Bob was too old school and this type of product could not be made until now? Hi guys, I had the chance to test the Sub37 during the past two weeks. There is no doubt that this is a nearly perfect instrument, but maybe not for everyone. Here is what I have noticed: 1) Some of the knobs dont have the same resistance and can be rotaded much more easily than others (in my case EnvAm for example). Preset button 16 is a little loose but works fine. That's by design (the pots) - the ones with centre detents ARE different pots internally than the full range ones and its those that feel lighter.

Nothing you don't get used to and never been a problem for me. My sub 37 is just under a year old (so plastic filter pot) and no problems. Nor have I ever had 'wobbly pots' so that is something that only affects some units.

It's not the rule it's the exception. I use mine almost daily and none of the knobs buttons or keys have let me down, the OS is rock solid, it's feature complete (except maybe the parameter shown on screen when adjusting a parm but that's to come I think) and the new editor is excellent (and FREE! Cracking synth only getting better with time! My sub 37 is just under a year old (so plastic filter pot) and no problems. Nor have I ever had 'wobbly pots' so that is something that only affects some units.

It's not the rule it's the exception. I use mine almost daily and none of the knobs buttons or keys have let me down, the OS is rock solid, it's feature complete (except maybe the parameter shown on screen when adjusting a parm but that's to come I think) and the new editor is excellent (and FREE! Cracking synth only getting better with time! My Sub-37 serial is in the low 100s and I don't have Wobbly Pots nor do I have the Cutoff Knob problem (I do have the gap in the upper left of the case, next to the screen issue.) Also, didn't know the Editor was finally out. Good news for those waiting for it.

Though I usually don't use editors myself, unless it is specifically a soft-synth (Omnishpere, etc.). My Sub-37 serial is in the low 100s and I don't have Wobbly Pots nor do I have the Cutoff Knob problem (I do have the gap in the upper left of the case, next to the screen issue.) Also, didn't know the Editor was finally out. Good news for those waiting for it. Though I usually don't use editors myself, unless it is specifically a soft-synth (Omnishpere, etc.)Yeah it's not public yet but Amos @ moog will give you a link if you email via the forum.

While I would tend NOT to use an editor especially for such a hands on/inviting synth as the Sub 37 it does have two great uses: 1. It lets you dig deep effortlessly, from making sequences, to routing modulation it's a walk in the park using the mouse on the editor and can open up sounds you may not have dared go near.

Librarian (my main use and why I really wanted this) - compiling banks, naming patches, moving things around is a lot easier from the software than doing it on the screen of the hardware with one knob for letters. It's a must for this reason alone. The rest is a bonus! It also looks exactly like the sub 37 (nice graphics) and seems very well thought out. Amos / Moog: Thank you for your hard work in development of the Sub 37 OS, this is a brilliant machine! I have been programming some of my favourite 80's film music sounds with the Sub 37 today, trying to get as warm and old sounds as possible.

In most cases, I set multidrive and feedback to zero and oscillator levels. I have found that setting the pitch amounts of the two modulators require very precise hand, if you are aiming for very small (nearly inaudible amounts, the key to fatter sounds, i.e.

Your custom slop). Now, I find myself twiddling the pitch amounts quite some time and the range between zero (center point) and the point when you start hearing the modulation is very small (possibly only 2-3 deg of rotation?) and you often end up with no modulation or too much modulation.It was mentioned earlier on the Moog Forums, but in case you need more fine grained control over the modulation (and you're not using an expression pedal or external modulation source), you can set CTRL4 AMT to a value to for instance 50% to effectively reduce the modulation value by half. This can be found in the modulation control menu. Just picked up my sub 37 new serial number a few shy of 9500.

A very nice unit. I am familiar with the sound already bc i owned a sub phatty.

Angel Sanctuary Scanlation. One thing that threw me off though, is the lcd is quite crooked. I have emailed support and its going on 4 days now without any response. I found a thread on their website with similar issues and they asked ppl to email andy at moog and he would help guide a user through the process of repair at home, so i also emailed him. Still, bummed over the defect but otherwise the unit is top notch. Still hope anybody at moog responds soon. I've owned a slim phatty and the screen on that unit was fine. Anybody else have a messed up screen with their sub37 and was it easy to fix?

This unit through the el capistan is bliss. **not sure why lower image is rotated way it is. My copy locally and on server is proper orientation.