— Noel Gallagher of Some songs are very lyrically direct. Other songs, however, are the musical equivalent of.. Maybe the songwriter went for the feeling associated with the words rather than the direct meaning.. Either way, the results are. Can also extend to (often ). Common results when listening is.

A special case is Japanese music. A lot of apparently incomprehensible Japanese lyrics are actually puns or other wordplays based on alternate translations of the kanji used, similar-sounding words, or (most often) both. Much of what may seem gibberish even in the original Japanese, is actually clever and/or or for those who know their kanji well enough. Of course, a lot of the 'alternate reading' wordplays are just as incomprehensible as the main readings. See the example below. (which in literature is known as Dada Poetry) where words are used exclusively for their sound, cadence, and alliteration; with no concern for meaning. See also,,,,, and.

May overlap with. Not to be confused with, where lyrics are loaded with literary, mythological, or pop-cultural references that are confusing only to non-geniuses. Sever the soul from the forgotten sickness, escape this lie Challenge the dream before the long departed, • the Caliornian band Om. Every single one of them. • A lot of European Death/Black/Doom/Folk/Viking Metal can sound like this when the non-English-speaking musicians try to sing English lyrics; particularly when they're loaded with mythology or literary references.

• Before they commercialized their sound in the late 1970s and wrote about partying, leather,, and imagery, of all bands wrote lyrics like this. Of course, this was the '70s, so songs like are probably really about. Sailing on the seven seize the day tripper diem's ready Jack the ripper owens wilson phillips and my supper's ready Lucy in the sky with diamond dave's not here I come to save the Day for nightmare cinema show me the way to get back home again • Not really sure what category Pure Reason Revolution falls under (they started out and then added electro beats), but their lyrics certainly qualify. They seem to tell something. I equate it to a splash of red on a painting to represent an apple. • ' lyrics frequently seem to consist of equal parts words that sound cool together, sentence fragments, and nonsense syllables.

This is further compounded by their trademark sometimes unintelligible growled vocals, and the fact that they've only ever included printed lyrics to a few songs in their liner notes. 'Hooch', the only song on the Houdini album to have its lyrics printed, appeared on an episode of ', and amusingly Beavis' mondegreens made slightly more sense than the official lyrics. Compare 'Exi-tease my ray day member half lost a beat away' to Beavis' 'Exit is my raging member, band on a TV'. • Given the absurdist leanings of the band to outright lie in interviews and have their main website designed to give absolutely no information, they're probably material. • 's ' from their 1989 album Alice In Hell. • have the song 'My Dream's But A Drop Of Fuel For A Nightmare,' which is about, well, dreams and dream imagery.

It contains this beautiful part. Can You Feel The Love Tonight Pdf String Quartet Sheet on this page. It consists largely of contradictory references to an unspecified 'it'. Actually, most of 's lyrics for his various projects would qualify.

• 'Epic' when you consider that it's about auto-fellatio. • 'Land Of Sunshine' does this almost literally, since the lyrics are almost entirely taken from fortune cookies and a questionnaire. The results almost make sense if read as a sarcastic parody of cults and self-help movements though. • Just about any of the lyrics written by Patton's predecessor Chuck Mosley qualify for this. • has 'Abigail'. Flame is burning, center of a fountain yearning Water springs eternal, spiritual water, physical fire Above center is sky, cold, cold neverness Just vastness filled with stars upon stars In the four corners of life are the golden mirrors Reflecting what you are and what you are to be In the first is a young boy, white dove in his hand In the second is a warrior in armor In the third is an old man, gold watch in his hand Fourth and last, no reflection at all No reflection at all! • Dave Wyndorf, lead singer of, admits that when he gets stuck on the lyrics to a song, he just writes something about volcanoes, because volcanoes are.

Yeah, what is it then? Inside the museums, Infinity goes up on trial Voices echo this is what salvation must be like after a while But Mona Lisa musta had the highway blues You can tell by the way she smiles See the primitive wallflower freeze When the jelly-faced women all sneeze Hear the one with the mustache say, “Jeeze I can’t find my knees” Oh, jewels and binoculars hang from the head of the mule But these, they make it all seem so cruel • Dylan lampshaded this trope in his song 'I Shall Be Free No.

10' from in the final lines. It's something I learned over in England • Dylan's style was parodied in; during his 'Dylan' phase (where he is blatantly ripping off Bob Dylan in every facet of his life), Dewey performs a song called 'Royal Jelly', the lyrics of which two of his band members find completely incomprehensible ('Mail boxes drip like lampposts in the twisted birth canal of the Coliseum.' The third immediately snarls that they're idiots, and that '.' Another one, 'Farmer Glickstein', embraces this trope to such a degree that even the singer ends up admitting in the song that he's got no idea what he's singing about. • Just about any song by Bush, especially 'Little Things'.

• and, by extension, Broken Bells, the collaboration between The Shins' singer and writer and DJ Danger Mouse. • usually has cohesive lyrics, but a few rare songs seem like a bunch of random sentences, such as 'Walking Contradiction', and the 'Brain Stew'/'Jaded' duo (the latter has the excuse of being written during an insomnia crisis). • 'Long Train Running'. • Most of the individual sentences or sentence fragments are perfectly sensible, having something to do with either trains, or love (more specifically, the lack thereof). Figuring out exactly why the singer thinks they fit together is what will break your brain.

Jan 4, 2015 - 4 min - Uploaded by D2.457Lee Sun Hee (이선희)_ Fate (인연 姻缘) [The King and the Clown 왕의 남자 王的 男人OST] 가사 (Lyrics. Home; Adam smith; capital asset; depreciation; durable; economics; s; non-renewable resource; physical capital; production; service; stock.

• A substantial fraction of lyrics by (Songs:Ohia / Magnolia Electric Co.) is. Here's the beginning of one of his better known songs.

This we'll survive, surviving those. • Is it about the or about a? • Parodied in the Shellac song. The Word Salad is shouted with ridiculous passion and the only proper word that can be recognized is the. • Anything by.basically.

Vocalist Elizabeth Fraser went on to guest spots on albums by the Future Sound of London, Craig Armstrong, Massive Attack, and a few soundtracks, with much the same lyrical style. • Fraser herself has been fairly elusive regarding whether or not any of her lyrics and invented words have meaning. She has stated that she possesses a special dictionary of sorts that contains the words she sings, but despite acknowledging the use of an invented language, has described the basic effect of her words as thus: 'They don't mean anything, though, that's the thing. You know all the transcendent sounds. It's all sound all the way through.' • Or you could call them Word Puree Lyrics, aka. • Subverted on Heaven Or Las Vegas where she confessed a lot of the songs were about her newly-born daughter.

• Most of 's songs qualify as this, but he actually has stories behind almost all of them. A prime example is 'Loser'. I can't believe my way back when My Cadillac pants going much to fast Karaoke weekend at the suicide shack Community service and I'm still the Mack Shocked my finger, spicin' my hand I been spreading disease all across the land Beautiful air-conditioned, Sitting in the kitchen Wishing I was living like a hit man • songs in general. • One of the more interesting examples has to be 'On Earth My Nina', whose lyrics are from playing their song 'Thunderbird' backwards. • Linnell has stated that the music for 'Don't Let's Start' was written before the lyrics, and the lyrics were chosen mostly because the words fit the number of syllables for the melody. When asked about the meaning of the song, Linnell simply stated it was about 'not let's starting.'

A famous person wears the same size water skis as me She's got three cars as many years I've lived in this city. Her hair is blonde and mine is brown; they both start with a 'b' But when the phone inside her ribcage rings, it's not for me But when the phone inside her ribcage rings, it's not for me HEY!

• Their 'Crystal Fortress' song is about, asking for him to 'come down from his crystal fortress'. Strong Bad not only doesn't get the lyrics, but openly mocks the singer in the background. • Their song is basically entirely this. • 'Thinking Machine' is a in which John Linnel plays a researcher communicating with a gibberish-spouting chat-bot played by John Flannsberg.

Tape has brightening arm connect (Wait, that didn't make sense) Self-paint itching lever does (That made even less sense) • did something similar to 'On Earth My Nina' with 'Don't Stop': They basically played along to a backwards recording of their song 'Waterfall', then wrote new lyrics based on mondegreens of the backwards vocals. Resulting in things like 'Pain, blue singer / he's pain, just a guitar' • 'One Week', by, although they do stuff like that for fun in a lot of their songs. • The 'One Week' example is lampshaded in 'Testing 1,2,3' off the following album (The music video is more obvious about it, highlighting the next point), which is a at the people that don't understand their lyrics. • The do this often, with lines such as 'Once in a while/the zebras run/to the spaceman and his gun/in the spider's web' or more infamously 'I was born/The day they shot a hole in the Jesus egg', which became the title of a compilation of their earlier work. • Take away the more straightforward songs such as 'Everybody Hurts' and 'Don't Go Back To Rockville' and just about everything 's done qualifies.

As their name implies, a lot of their songs are based on dreams or intended to feel dreamlike, so its sort of inevitable that this happens. Guitarist Peter Buck said once that Michael Stipe did this intentionally at times: ' Murmur is such a lyrically dense record that I don't think anyone will ever get all of it. And some of its not there to get. Certain bits are just words that sounded good strung together.'

• states that 'It's The End Of The World As We Know It (And I Feel Fine)' was based on a dream one of them had in which they were at a birthday party, and a jellybean covered cheesecake was served. All of the guests were people with the initials L.B. And then the world ended. Between a face and a portrait, the real and the abstract, between madness and lucidity, between a uniform and nudity Between the end of the world and the end of the month, between the truth and the English rock, between the others and you I feel like a foreigner, passenger of some train, that doesn't go around here, that is nothing but illusion • do this often, usually for comedic purposes. On example, 'Twig,' starts like this: 'Some weepy creepy willow pillow boggy shit.,' and descends from there. • Most of 's songs, such as 'Bohemian Rhapsody' and 'Another One Bites The Dust' (although the latter does have the underlying thread of street gangs). • 75% of 's songs.

Which was, of course,, too. • A particularly glorious example is 'On a Plain'.

How 'bout gettin' off of these antibiotics? How 'bout stoppin' eatin' when I'm full up? How 'bout them transparent danglin' carrots? How 'bout that ever-elusive kudo? • Parodied in the cover version by Steven Wilson which changes the most non-sensical line 'How about them dangling carrots?' To 'How about changing a line cause it don't make sense' • have been known to write some of their lyrics by pulling random phrases out of a hat, particularly on Kid A. • This is, perhaps, excusable, as Thom Yorke was notoriously obsessed with Dadaism during this period and wrote the lyrics to some of the songs on Kid A following Tristan Tzara's instructions for writing a Dada poem.

• plays enough of a role in their songwriting period that this features on all of their albums, to some degree. 'I'm teetering on the brink / Of honey sweet / So full of sleep', anyone? • Shaun Ryder, the lead singer of Happy Mondays, is known for writing incomprehensible drug-induced stream-of-consciousness lyrics. • 'You're twistin' my melon, man!' Must have been written while he was on the KFC. • Black Grape were sort of Ryder's to Happy Mondays, so naturally they sort of followed suit.

For instance, 'Kelly's Heroes' seems like a cynical look at how celebrities are worshiped as heroes, but who knows where 'Jesus was a black man, Jesus was, no that was Bruce Wayne!' Fits in to that. • The are another example.

Not only have they mashed together various words into lyrics ('Cos reality for TV is Disney not King, Rodney' in Dead Yankee Drawl for an early example), but they have also included references to people and concepts not immediately accessible to the listener, leading to. This may also be a Listeners are genius example. While many of Nicky Wire's lyrics are just plain incomprehensible, Richey Edward's songs do have meanings. They're just composed of insanely obscure and complicated references.

• Many Soul Coughing songs seem to just consist of cool-sounding nonsense. Which may possibly be explained due to the lyricist's fondness for. I'll scratch you raw, l'etat c'est moi I drink the drink and I'm wall to wall I absorb trust like a love rhombus I feel I must elucidate I ate the chump with guile Quadrilateral I was, now I warp like a smile • The verses of 'Casiotone Nation' consist of variants of 'the five percent nation of (arbitrary noun)' or 'The People's Republic of (arbitrary noun)', which the band would change every time it was played live. • The refrain from 'Down to This', which was assembled due to Doughty being a little hyper and repeating various other phrases while working the door at a local club. 'You got the tickets/and I got the list' (which of that activity) eventually became the phrase 'You get the ankles/I'll get the wrists. • The song 'The Bug' from the soundtrack was written in one day with lyrics randomly scrawled on a legal pad and then thrown away. Doughty doesn't remember what the words are, doesn't care, and says whatever you imagine them to be is.

• Morphine's 'Super Sex': it might be a collection of seen and overheard while on international tour, or just a very impressionistic take on a late night out on the town, but. Hotel Rock'n'roll Discotheque Electric Super Sex • Justified given Morphine's style. Beat poetry tends to as often as it makes even symbolic sense. • James, due to their tendency to spawn everything out of jams and improvs and then let Tim just go nuts over the top. The Wah Wah album is the best illustration of this, and 'Frequency Dip' is the Crowning Moment Of Bonkers, with its complete garbage about sediment layers, false hair-dos and 'some kind of sink unit'. 'Of Monsters And Heroes And Men', from their latest album, is also deranged.

• Many of 's lyrics sound like this. For example, from 'Mother Superior': 'Mother superior come catch the rabbit he runs (my how've you been), YOU'RE FRIGHTENED OF LEAVING THIS TRULY GONE FISHING AMALGAM (go fetch your gun.)' A lot of Coheed's lyrics start making more sense if you read the comics that the music is based off of. • 's 'Dope Nose', which Rivers Cuomo has admitted has 'no meaning whatsoever'. It's not as extreme as some other examples, but it does feature a few baffling lines like 'cheese smells so good on a burnt piece of lamb'. • Pretty much anything by Robyn Hitchcock. One of the earlier examples is Leppo and the Jooves, in which the first stanza goes as follows.

In economics, physical capital or just capital is a factor of production (or input into the process of production), consisting of machinery, buildings, computers, and the like. The production function takes the general form Y=f(K, L), where Y is the amount of output produced, K is the amount of capital stock used and L is the amount of labor used. In economic theory, physical capital is one of the three primary factors of production, also known as inputs in the production function. The others are natural resources (including land), and labor — the stock of competences embodied in the labor force. 'Physical' is used to distinguish physical capital from human capital (a result of investment in the human agent)), circulating capital, and financial capital.[1][2] 'Physical capital' is fixed capital, any kind of real physical asset that is not used up in the production of a product. Usually the value of land is not included in physical capital as it is not a reproducible product of human activity.