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• $300 million (gross) • $250 million (net) Box office $873.6 million Batman v Superman: Dawn of Justice is a 2016 American featuring the characters and. Directed by, it is the second installment in the (DCEU), following 2013's. It was written by and, and features an that includes,,,,,,,, and. Batman v Superman: Dawn of Justice is the first live-action film to feature Batman and Superman together, as well as the first live-action cinematic portrayal of,,, and. In the film, criminal mastermind manipulates Batman into a preemptive battle with Superman, whom Luthor is obsessed with defeating. The film was announced at the 2013 after the release of Man of Steel.

Snyder stated that the film would take inspiration from the Batman comic book series by, but clarified that it would follow an original premise. The incarnation of Batman in the film is different from the character's previous portrayal in, serving as a cinematic of the character. The film is also inspired by narrative elements from the ' story arc.

Pre-production began at in October 2013, with starting in May 2014 in. Additional filming also took place in. Batman v Superman: Dawn of Justice premiered at the in on March 19, 2016, and was released in the United States on March 25, 2016 in 2D,, IMAX 3D,, premium large formats, and. Following a strong debut that set new box office records, the film experienced a historic drop in its and never recovered. Despite turning a profit, it was deemed a box office disappointment and received generally unfavorable reviews from critics for its tone, screenplay and pacing, though some praised its visual style and acting performances. An dubbed the 'Ultimate Edition', which features 31 minutes of additional footage, was released on June 28, 2016 and on and on July 19, 2016. A follow-up sequel titled was released in November 2017, and a Superman solo sequel is in development.

Main article: composed the film score, emphasizing a challenge not to reuse the themes he established with the Batman character from 's trilogy., who provided additional music in Man of Steel, also returned for this film, helping to compose the theme for Batman. Originally, Zimmer enlisted Junkie XL to compose the Batman material, with Zimmer planning to focus solely on the Superman side of the score, but the final Batman theme was written by both composers as a collaboration. Zimmer noted that he had significant trouble in finding a new angle from which to tell the story and after the release of the film, Zimmer announced that he was retired from superhero films. The soundtrack album of the film was released on March 18, 2016. Songs featured in the film include: 'Kang Ling (An Instrument Made From A Human Thigh Bone)', a traditional song performed by the monks of the Dip Tse Chok Ling Monastery,; ' and ' written by and performed by; ' written by performed by the conducted by; and ' arranged and performed by John Allan and again performed by the Pipes and Drums and the United States Band. Release In November 2013, it was announced that the film would be released on July 17, 2015.

In January 2014, Warner Bros. Announced that Batman v Superman: Dawn of Justice was delayed from its original release date of July 17, 2015, and moved to May 6, 2016, in order to give the filmmakers 'time to realize fully their vision, given the complex visual nature of the story.' The release date was moved once again in August 2014 from May 6, 2016, to March 25, 2016, with a Warner Bros. Insider saying the studio was 'not flinching' in regards to the previous opening date being on the same day as ', but instead stating that March 2016 was a 'fantastic corridor' for them. According to sources obtained by, Warner Bros. Considered the possibility of having a release for the film, which was partially shot in the format.

Batman v Superman: Dawn of Justice premiered at in on March 19, 2016, followed by a New York City premiere on March 20. Following the, Warner Bros. Originally cancelled the red carpet of the London premiere, but decided to carry on with the premiere for the fans. The film was released in the United States and the United Kingdom on March 25 in. It opened simultaneously in North America, China and Japan, the world's three largest film markets, as well as additional international territories, with the exception of Poland, where theaters do not open on. The film debuted simultaneously across 30,000 screens in nearly every major foreign territory across 61 markets, including China, with domestic open across roughly 4,242 locations of which 3,500 theaters (85%) were in 3D, 390 IMAX screens, 470 PLF locations, 150 theaters and ten 70 mm prints.

The Batman and Superman costumes from the film at the 2015 San Diego Comic-Con An estimated $165 million marketing effort helped promote Batman v Superman: Dawn of Justice. At the 2014, Snyder introduced the film's first footage intended to be exclusive to the event. A teaser trailer was scheduled to be screened in selected cinemas on April 20, 2015. However, on April 16, the trailer leaked online, and within a few hours Snyder officially released the trailer to. At the 2015 San Diego Comic-Con International, Snyder and the cast attended to present an initial trailer of the film. The trailer was, unlike the teaser, which received mixed response, positively received by attendees, who gave the trailer a.

Mark Hughes of said the trailers 'both set the stage for a story about the world's distrust and fear of Superman, Batman's rage at Superman and intention to duke it out with the Man of Steel, and Wonder Woman's participation in a big fight featuring the 'Trinity.' ' Warner Bros. Consumer Products partnered-up with 'a powerhouse slate of global licensees for a broad, multi-category licensing and merchandising program', including,, Rubies,, Thinkway Toys,, Junkfood, Bioworld,,, and among many other licensees to sell merchandise related to the film. Was also a licensee for the film, offering a special edition in exchange for a near-exclusive deal; aside from Bruce Wayne's, all vehicles in the film were either from,,,,. Batman v Superman: Dawn of Justice – Cross Fire, an original companion novel tied to the film, telling a tie-in story set before the events of the movie, was published. A five-issue comic-book prelude exploring what happened in the weeks and months leading up to the events of the film was released as a tie-in with 's character-branded bottles. Also, there are a series of four found in Batman v Superman-branded cereals.

Additionally, those who purchased Batman v Superman-themed Family Fun Mix at received the comic book prequel Batman v Superman: Dawn of Justice – Upstairs/Downstairs. Released a for the video game that featured the Batmobile and Batsuit from the film.

The third trailer debuted on on December 3, 2015. It received positive responses, with Scott Mendelson of Forbes calling the trailer a 'Saturday morning cartoon nerd's wildest dreams.' Molly Driscoll of stated that it looks like the film 'will continue the trend of adapting comic book stories as timely tales.' Graeme McMillan of noted that based on the trailer's content, the film might be the anti- Civil War, referring to Marvel's as 'Superman and Batman complete the comic book trope by overcoming their differences to fight a common foe, alongside a third hero, who saves them both — that feels the most fresh, especially in light of the Civil War trailer. While that ended with a showdown between three heroes, this trailer moves beyond that to show three heroes standing united.'

However, it was criticized for revealing that, with Rob Tornoe of pointing out that this trailer was targeting the 'broadest audience' rather than just fans, as studios try to 'maximize a film's opening day box office.' An advertisement for the film on ' at Warner Bros. Did not buy a commercial; instead, they worked with to put together a pair of Batman v Superman-themed airline commercials. McMillan of The Hollywood Reporter stated that the spots 'inform interested parties about the culture, geography and history of Batman and Superman's individual stomping grounds, each one filled with for the comic book faithful and newcomer alike.' Jesse Eisenberg's part as Lex Luthor in these commercials was praised, as Dirk Libbey of CinemaBlend noted that 'he matches up well with Bruce Wayne by playing the welcoming billionaire business man. It's a far cry from the somewhat cartoonish villain we've seen in the clips from the film.' The final trailer was released to the public on February 11, 2016, which was described as 'intense' by Kwame Opam of.

Mendelson of Forbes felt that Warner Bros. 'probably wouldn't have even dropped this one had the prior trailer back in December been received better.

So now we have this fourth and final sell, and at least they are going out on a high note.' Jonathon Dornbush of said that the footage 'works to establish Batman as his own independent crime fighting force, while also providing a deeper look at his existential struggle against Superman.'

In February 2016, Warner Bros. And Doritos formed a partnership, creating a website offering fans the opportunity to enter codes found on Doritos purchases branded with the film's logo, and enter to win movie tickets, tech toys, and a trip the premiere in New York City. Warner Bros also partnered with to give fans who donated a chance to win 'The Ultimate Batman v Superman: Dawn of Justice Experience', while benefiting three nonprofit organizations nominated by Ben Affleck, Henry Cavill and Jesse Eisenberg. 'The Ultimate Batman v Superman: Dawn of Justice Experience' offered a fan and their friend the chance to win tickets to the premiere of the film, as well as fly on a helicopter with Cavill or ride in the Batmobile with Affleck. Drove cars based on Superman and Batman respectively, at on March 20, 2016. A to the film, entitled Batman vs Superman – Who Will Win?, debuted March 16, 2016, released. Reception Box office The film grossed $166 million in the USA & Canada in its opening weekend, the eighth-biggest opening of all time, ahead of ' $160.9 million.

The film had a worldwide opening of $422.5 million, which stands as the second-biggest for Warner Bros. It became the fourth film to have a global opening above $400 million. It also had an IMAX worldwide opening weekend total of $36 million from 945 IMAX screens, the third-biggest ever, behind ($48 million) and ($44 million). However, both inside and outside of the United States, Batman v Superman: Dawn of Justice experienced a notable poor Friday-to-Sunday hold and set a new record for the worst Friday-to-Sunday drop for a superhero movie release in modern box office history with a 58% decline, which was previously held. In its, Batman v Superman: Dawn of Justice experienced a 'historic' box-office drop, with an 81.2% decline on Friday that was 'one of the biggest Friday-to-Friday drops any blockbuster has ever seen', and an overall 68.4% drop for the weekend despite not 'facing any big competition at the box office', making it the second largest decline for a marquee superhero title, behind only 2003's.

Brad Brevet, writing for, reported that 'it appeared Batman v Superman was looking at a drop anywhere from 58–68% and it ended up settling in on the wrong side of those expectations.' Scott Mendelson, writing for, said 'Whether or not the movie is any good, and whether or not audiences respond to the picture, is best measured by the second and third weekends.Yes, we're still talking about a $15.35 million second Friday and a $50m+ second weekend, but in terms of legs, this film sadly doesn't seem to have any.' Continuing this trend, in its third weekend, the film dropped by 54.3% in which Brad Brevet concluded in a follow-up for Box Office Mojo that 'the legs on this one are proving quite short.' In the weeks leading up to the film's release, advance ticket sales outpaced The Dark Knight Rises,, and. Worldwide, it was estimated to gross between $300–340 million in over 35,000 screens in its opening weekend. It passed the $50 million mark in IMAX ticket sales on its second weekend, grossing a total of $53.4 million from 571 IMAX screens.

Domestic distribution chief Jeff Goldstein described the film's box office performance as a 'fantastic result, by any measure.' Box office analyst Jeff Bock said 'Still, outside of Christopher Nolan's two Dark Knight movies, and Tim Burton's Batman films when you adjust for inflation, this is the highest-grossing property in DC's bullpen thus far. It tops Man of Steel by more than $200 million,' and that 'overall, BvS successfully relaunched DC's cinematic universe, but they are nowhere near Disney/Marvel in terms of critical reception and box office prowess. One can only hope that bigger and better is still on the way.' The film needed to reach $800 million in revenue at the box office to 'recoup its investment' according to financial analysts. Despite surpassing this amount, it was considered 'a disappointment' for failing to reach $1 billion, This resulted in Warner Bros., in May 2016, creating, giving a dedicated executive team responsibility for films based on, similar to the dedicated focus of within the larger group.

Batman v Superman: Dawn of Justice grossed $330.4 million in North America and $543.3 million in other territories for a worldwide total of $873.6 million, making it the behind,,,,, and. Calculated the net profit of the film to be $105.7 million, when factoring together all expenses and revenues for the film. North America Following reports of pre-tickets sales in both the United States and Canada on February 29, many insiders and analysts predicted an opening weekend haul between $120–140 million for Batman v Superman: Dawn of Justice, with projections as high as $185 million. However, Warner Bros. Insiders were more conservative in their estimates projecting in the lower range of $110 million.

According to, an undisclosed rival studio box office analyst indicated that if the film is truly pacing in tandem with The Dark Knight Rises, then Dawn of Justice could possibly be looking at a $180 million+ debut. The film also became 's top pre-selling superhero film ever, beating The Dark Knight Rises and, representing 90% of the site's weekend's ticket sales. A survey carried out showed that the introduction of is a primary draw for moviegoers. It pre-sold around $20–25 million worth of advance tickets. Dawn of Justice made $27.7 million in Thursday previews from around 3,800 theaters which is the biggest of 2016, the biggest Easter weekend preview, the second-biggest for a superhero film (behind The Dark Knight Rises), and the seventh-biggest of all time of which $3.0 million came from IMAX showings, also a new record for Easter weekend. On its opening day, it earned $81.59 million from 4,242 theaters, including previews, marking the biggest pre-summer opening day of all time, the second-biggest superhero Friday opening and the, with $9 million coming from IMAX showings.

Excluding the Thursday previews, it earned $53.89 million on Friday which is the fifth-biggest ever. It fell 37.8% on Saturday, which is the second-worst superhero opening Friday-to-Saturday drop, only behind the 40% drop of The Dark Knight Rises. In total, it earned $166 million for its debut weekend, setting records for the biggest March and pre-summer openings, (these have since been broken by ) the biggest Easter opening, the second-biggest opening for, the biggest for a DC Comics property, and the. Conversely, the film holds the record for the worst superhero Friday-to-Sunday drop with a 58% decline, eclipsing the previous 48% decline record held by in 2015. IMAX comprised 11% or $18 million of the weekend's gross from 388 theaters which is the fifth-biggest of all time (a record it shares with Age of Ultron) and 3D represented 40% ($68 million) of the total ticket sales. Comprised $47 million of the opening gross. Premium large formats generated $17.6 million (10%), with $3.6 million of that coming from Cinemark XD auditoriums from 475 theaters.

Following its record breaking opening weekend, it posted the biggest March Monday with $15.05 million, a drop of 55% from its Sunday gross. This broke ' previous record of $10.8 million, and also the biggest March Tuesday with $12.2 million. It made $209 million in its first week full which stands at the eleventh-biggest opening week of all time and surpassed the lifetime total. Despite earning $15.35 million in its second Friday, the film dropped 81.2% and broke the record for the biggest Friday-to-Friday drop for a comic book adaptation film, not including $27.7 million worth of previews which represented an even larger decline. It fell precipitously by 69.1% in its, grossing $51.3 million from 4,256 theaters (an addition of 14 cinemas) due to poor reviews and mixed, establishing itself an infamous record for the seventh steepest drop for a superhero/comic book adapted film and the steepest decline since the -69% posted by in 2009, despite facing little to no competition or new wide-releases and having the added benefit of 30% schools off, and 9% of colleges on break, per. The steep drop also marks the fourth-biggest for a film that opened above $100 million (tied with ).

In its third weekend it was overtaken by the comedy after falling 54% with $23.3 million. Batman v Superman: Dawn of Justice proved to be front-loaded, failing to generate significant revenue after its opening weekend/week release. It earned just 1.99 times ($330 million) its opening weekend numbers ($166 million), which is lower than 's 2.28 multiplier. Like other DC films, such as, and Man of Steel, it opened to record breaking numbers but then dropped the following weekend onward due largely to bad critical reception and mixed word of mouth from audiences.

It earned just 1.99 times its opening weekend, the worst [multiplier] for a film opening above $100 million. A similar result was followed by DC's third superhero film, released in August 2016, although Suicide Squad became less front loaded than Dawn of Justice. Outside North America Internationally, it was projected to open between $180–200 million; however, Deadline.com pointed out that these figures were only early predictions pegged to the performance of similar films in their respective territories. It opened in ten countries on Wednesday, March 23, 2016, earning $7 million and debuting at No. 1 in all markets on approximately 5,900 screens. The following day, the film was released in 38 additional countries, earning $33.1 million on 19,700 screens for a two-day total of $44 million.

On March 25, it opened in the remaining 17 countries delivering $67.2 million in revenue, for a three-day total of $115.3 million in 62 countries on more than 30,000 screens. Through Sunday, March 27, it earned an opening-weekend total of $256.5 million from 66 countries on over 40,000 screens, making it the biggest superhero opening weekend of all time, the biggest overall March opening, the second-biggest opening ever for Warner Bros., and the fifth-biggest international opening on record. The film's accomplishements also included the second-biggest IMAX opening record of $18 million, behind only which tallied $23.5 million. 3D accounted 59% or $149.86 million of the weekend gross led by China (98%), Germany (88%), Brazil (81%), Russia (55%), and France (51%).

As with North America, the film witnessed a steep decline in its second Friday internationally, falling 72% to $19.2 million, with the biggest decline in the U.K. (77%) and China (87%). Its second weekend earnings fell 66% overall to $85.25 million. Despite the decline, the film topped the box office for three consecutive weekends. In Mexico, it had the biggest opening day for Warner Bros.

And the second-biggest of all time with $5.8 million, including record-breaking midnight showings. It also scored the biggest opening day of all time in Brazil ($3.5 million) and the biggest opening day for a superhero film in Germany ($2.8 million). Elsewhere, it opened in the United Kingdom and Ireland ($9 million), Australia ($2.5 million), India ($2.54 million), Russia ($1.9 million), South Korea ($1.7 million), Japan ($1.2 million), the United Arab Emirates and Hong Kong ($1.1 million respectively). In China, it earned $21.22 million on its opening day, including around $1.34 million worth of previews, which is the biggest for Warner Bros. And the sixth-biggest Hollywood opening day of all time. However, other Chinese sources have the film open to around $20 million.

In terms of opening weekends, the biggest openings were recorded in China ($57.2 million), the United Kingdom and Ireland ($20.7 million), Mexico ($18.2 million), Brazil ($12 million), South Korea ($10.2 million), Australia ($9.9 million), France ($8.6 million), Germany ($8.1 million), Russia ($7.7 million), India ($6.6 million), Spain ($6.1 million) and Japan ($4.5 million). It broke all-time opening record in Brazil and Warner Bros. Opening records in Mexico, Hong Kong, India, Malaysia, Singapore, Vietnam, Argentina, Bolivia, Chile, Colombia, Peru, Puerto Rico and Venezuela. In the United Kingdom and Ireland, it benefited from the long Easter weekend holiday and despite a distinctly mixed bag of reviews in the U.K. Press, it posted an opening £14.62 million or $20.7 million from 612 theaters, a record for 2016 so far and for a superhero title on straight Friday to Sunday, but fell short of The Avengers and Avengers: Age of Ultron, when accounting for previews.

Ipod 4 Keygen Music. In Japan, it opened in third place, behind two local films, and. In South Korea, it scored the biggest March opening after opening on a Tuesday and dominating 68.3% of the market share with $10.2 million.

In China, after scoring the biggest Hollywood opening Friday (behind ), it earned an estimated $57.2 million from approximately 16,000 screens in its opening weekend, besting all other DC Comics adaption film just by its weekend haul except for and gave Warner Bros. Its biggest three day opening there with $7 million coming from 557 IMAX screens. However, the opening figure fell below analysts projections of $70–80 million. It held the top spot for its first seven days only, after which it faced stiff competitions from local productions, and fell dramatically from then onwards in accruing revenue. As a result, it fell to third place in its second weekend after falling enormously by 78% to $12.7 million, a record for a superhero film. It became the Warner Bros.' Highest-grossing film of all time in India, Indonesia, Malaysia, the Philippines and Vietnam.

It also crossed $100 million Latin American markets, making it Warner Bros.' Second highest-grossing film there. In total earnings, its biggest markets outside of North America are China ($95 million), which analysts predicted that it would not cross $100 million there, followed by the UK ($52.1 million), Mexico ($36 million) and Brazil ($35.5 million). Critical response Batman v Superman: Dawn of Justice received generally unfavorable reviews from film critics. On website the film has an approval rating of 27% based on 374 reviews, with an of 4.9/10. The site's critical consensus reads, ' Batman v Superman: Dawn of Justice smothers a potentially powerful story – and some of America's most iconic superheroes – in a grim whirlwind of effects-driven action.' , which assigns a weighted average to critics' reviews, gave the film an average score of 44 out of 100, based on 51 critics, indicating 'mixed or average reviews'.

Audiences polled by gave the film an average grade of 'B' on an A+ to F scale. It earned 'B–' from men, 'B' from women, a 'B' from those under 25 and a 'B–' from those over 25. Reported that, 'the film had been widely praised by fans after its first screening in New York'. Critics generally reacted more harshly to the film. Lindy West in described it as '153 minutes of a grown man whacking two dolls together', asking '(h)as the definition of 'movie' changed from 'motion picture story that a human wrote on purpose' to '700 only tangentially related 12-second grey and red vignettes'?' Of wrote: 'The point of Batman v Superman isn't fun, and it isn't thinking, either. It's obedience.

The theology is invoked. To buttress a spectacle of power. And in that way the film serves as a metaphor for its own aspirations. The corporations that produce movies like this one, and the ambitious hacks who sign up to make them, have no evident motive beyond their own aggrandizement.' Writing in, Robbie Collin called the film 'humourless' and 'the most incoherent blockbuster in years'. Cynthia Fuchs of said, 'As you're watching this movie, you might also contemplate your own part, in being swayed into consuming so much of what you've consumed before.'

Adding, 'Wonder Woman's remains Batman v Superman 's most compelling story, precisely because it's untold.' Matt Patches of wrote 'what Batman v Superman can do, it does, at the cost of coherency and thrills.

The movie is bat-shit crazy. A dour, disdainful demeanor, plus a gluttony of complex plot twists, dissipates most of the contact high.' Michael Philips of wrote, 'A near-total drag, Batman v Superman: Dawn of Justice plays like a loose, unofficial quarter-billion-dollar remake of, in which Oscar and Felix are literally trying to kill each other.'

On his, film director, a long-time friend and collaborator of Affleck, praised Affleck's performance but panned the film, commenting that it 'didn't really have a heart' and was 'humorless', arguing that 'there seems to be a fundamental lack of understanding of what those characters are about. It's almost like Zack Snyder didn't read a bunch of comics, he read one comic once, and it was, and his favorite part was the last part where Batman and Superman fight.'

On a second viewing, however, Smith via his Instagram lightened his stance. Jeremy Irons expressed displeasure with the film, feeling it was 'deservedly so' savaged by critics and calling the feature 'very muddled' while expressing hope that the forthcoming (2017) would be better due to its story being '.a lot smaller, it's more linear'. Taking a softer tone, David Betancourt of and Scott Mendelson of praised the film's visual spectacle and performances from Affleck and Gadot, though Mendelson also called the film 'an utter mess of thinly sketched characters, haphazard plotting, surprisingly jumbled action'.

Of called the film 'better than Man of Steel but below the high bar set by Nolan's Dark Knight,' adding that ' Dawn of Justice is still a colossus, the stuff that DC Comics dreams are made of for that kid in all of us who yearns to see Batman and Superman suit up and go in for the kill.' Jake Coyle of wrote, 'it hurtles not with the kinetic momentum of Mad Max: Fury Road nor the comparatively spry skip of a Marvel movie, but with an operatic grandeur it sometimes earns and often doesn't.' Mark Hughes of called it 'the follow-up to The Dark Knight that many viewers and fans wanted or hoped for', adding that it's 'visually stunning, with powerful emotional storytelling and awe-inspiring action spectacle.' Andrew Barker of said 'as a pure visual spectacle. Batman V Superman ably blows the hinges off the multiplex doors.'

Charles Koplinski of the called it 'a brooding, but most importantly intelligent take on the seminal figures of our 20th century pop culture mythology, a movie that at once pays tribute to these characters' roots while offering up modern incarnations of them that ring true for our times.' Nicolas Barber of the called the film 'a four-star epic' praising Affleck's performance as Batman and the visual grandeur of Fong's cinematography. Jordan Hoffman of gave an ambivalent review; he especially criticized the 'very bad writing', but conceded 'there are a lot of moments. That work' and praised Affleck and Gadot's performances, calling Gadot as Wonder Woman the best thing in the film. Multiple commentators criticized Eisenberg on the grounds that his interpretation of Lex Luthor hewed too close to character traits associated with another DC Comics villain,.

Even before the film was released, Affleck compared Eisenberg's performance to that of in. Once the film came out, critics lambasted Eisenberg's take on Luthor. Sonny Bunch of lamented that 'As the film progresses, Lex degenerates into a gibbering mad man, some strange mix of the Riddler and the Joker with a little bit of Mark Zuckerberg added for flair.' Of wrote that 'Someone clearly told Jesse Eisenberg that this movie is the Dark Knight to Man of Steel's Batman Begins, and he's doing his damndest to give a Heath Ledger-esque performance. Watching the trailers, I had thought Eisenberg's loopy acting might be this movie's saving grace – but a concentrated dose of his faux mania actually turns out to be the worst thing.'

Andy Scott of Grunge, in an article titled 'How Jesse Eisenberg Ruined Batman v Superman,' wrote that 'Eisenberg's speech patterns and mannerisms felt almost entirely lifted from Ledger's iconic performance, to the point where he walked the dangerous grey line between respectful homage and downright thievery.' • – & (2001) • – and (2002) • – (2003) • –, and (2004) • – (2005) • – Leora Barish and (2006) • – Jeffrey Hammond (2007) • – & Graham Gordy (2008) • –, and (2009) • – (2010) • – and, story by Ben Zook (2011) • - (2012) • - Steve Baker,, Will Carlough, Tobias Carlson, Jacob Fleisher, Patrik Forsberg, Will Graham,, Claes Kjellstrom, Jack Kukoda,, Bill O'Malley, Matthew Alec Portenoy,, Rocky Russo,, Elizabeth Wright Shapiro,, Jonathan van Tulleken and Jonas Wittenmark (2013) • - and Cheston Hervey (2014) • - (2015) • - and (2016).

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